The course of true love never did run smooth.
There may not be a better way to describe both the artists justifiable anger towards the current situation, and, of course, to encompass the plot of WhatsTheirNames Theatre's live production of Shakespeare's A Midsummer Night's Dream.
WhatsTheirNames Theatre are back with another Shakespeare in the garden, and not without their fair share of battling current restrictions on live performance events. In their version of A Midsummer Night's Dream, performed at the Mosta Amphitheatre, we're met with live music, hilariously fast-paced fight scenes, and supernatural mischief. Those travelling in the forest are at the mercy of Puck (Joe Azzopardi), who reveals a certain devious side that is amusing, yet fearsome.
The platform glittered with the surrounding light-bulbs, and when coupled with the cast's singing, the performance itself felt like a hazy dream (a little escapsim never hurt anyone). There was a certain push-and-pull effect that carried the performance, which is one of the things that makes Philip Leone-Ganado's direction stand out. Without giving away too much, between the laughter, the audience would have moments of stillness, which could have easily been delivered comedically. Instead, Leone-Ganado handpicked moments where we were almost forced to wonder at the results Puck's actions, and perhaps feel sympathetic towards the four lovers who went through quite the whole ordeal. Aside from controlling the balance needed within a comedy, this performance gave us a taste of the somber aspect of being controlled by a rogue fairy.
The chemistry between the cast is undeniable, which is not an easy thing to come by. This is characteristic of WhatsTheirNames productions, where you can tell that the cast members trust each other and work on the same wavelength. The doubling of characters is always a treat to audiences; one of my personal favourites being Nathan Brimmer playing both Bottom and Oberon opposite Becky Camilleri's Quince and Titania, constantly intertwined between eachother. You never get tired watching them bicker, tease, or sing together - they exploded the audience with energy throughout the performance.
These performers are quite talented at controlling their audiences. Joe Azzopardi's versatile interactions with the audience spanned from laughter to gasps, with great power in his movement around the space (watch out for his entrance!). Gianni Selvaggi provides a fulfilling performance, with a refreshing portrayal of Lysander and Thisbe, proving how well he can manipulate the atmosphere around him. Tina Rizzo's Hermia is as fierce as they come, making it impossible to be disinterested while she is on stage. Sandie Von Brockdoff has a natural presence in any role she takes on, giving Helena all of her moments of comedy and tragedy. Joseph Zammit is full of distinct characters that he can pull out of his pocket at any given point, and his charisma on stage makes him instantly likeable as both Demetrius and Tom Snout, but most effectively in his portrayal of 'Wall'.
WhatsTheirNames Theatre know their audience and they cater their productions as such. There is a shared sense of humour between cast and audience that is so rare and cared for, which is why I think WhatsTheirNames never dissapoint.
WhatsTheirNames Theatre's A Midsummer Night's Dream runs until 4th July, and remaining shows are sold out! For those with tickets, thank you for supporting the arts. Now, get ready for a night out, buy a drink, and enjoy a good old Shakespeare in the park!